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Sarcophagus of Junius Bassus. c. 359 CE. Marble, 142.2 x 243.8 cm. Museo Tesoro della Basilica di San Pietro (Treasury of Saint Peter's Basilica), Vatican City.

Book of Luke

Here in the Gospel of Luke we get the visual of Jesus’ entry into Jerusalem on a donkey, the low being made high. Or the high being made low.

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Read more about the article Book of Matthew
Strozzi, Bernardo. The Parable of the Wedding Banquet (fragment). c. 1636. Oil on canvas, 183 x 126.5 cm. Gallerie dell'Accademia, Venice, Italy.

Book of Matthew

28  When Jesus finished speaking, the crowds were surprised at his teaching. 29 He taught them like someone with authority, and not like their teachers of the Law of Moses.Why would a course…

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Raphael. The Transfiguration. 1516–1520. Oil on wood, 410 x 279 cm. Pinacoteca Vaticana, Vatican Museums, Vatican City.

Book of Mark

2 And after six days Jesus took with him Peter and James and John, and led them up a high mountain by themselves. And he was transfigured before them, 3 and his clothes became radiant, intensely…

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Read more about the article Livy, Histories of Rome
Altar Mars Venus Massimo

Livy, Histories of Rome

The subjects to which I would ask each of my readers to devote his earnest attention are these-the life and morals of the community; the men and the qualities by which through domestic policy and foreign war dominion was won and extended. Then as the standard of morality gradually lowers, let him follow the decay of the national character, observing how at first it slowly sinks, then slips downward more and more rapidly, and finally begins to plunge into headlong ruin, until he reaches these days, in which we can bear neither our diseases nor their remedies.

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Cicero

Cicero, In Catilium

When, O Catiline, do you mean to cease abusing our patience? How long is that madness of yours still to mock us? When is there to be an end of that unbridled audacity of yours, swaggering about as it does now? Do not the nightly guards placed on the Palatine Hill—do not the watches posted throughout the city—does not the alarm of the people, and the union of all good men—does not the precaution taken of assembling the senate in this most defensible place—do not the looks and countenances of this venerable body here present, have any effect upon you? Do you not feel that your plans are detected? Do you not see that your conspiracy is already arrested and rendered powerless by the knowledge which every one here possesses of it? What is there that you did last night, what the night before— where is it that you were—who was there that you summoned to meet you—what design was there which was adopted by you, with which you think that any one of us is unacquainted? [2]

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Read more about the article Ovid Metamorphoses
prometheussculpturelouvre

Ovid Metamorphoses

"Whether the creator god, source of a better world, seeded it from the divine, or the newborn earth just drawn from the highest heavens still contained fragments related to the skies, so that Prometheus, blending them with streams of rain, moulded them into an image of the all-controlling gods. While other animals look downwards at the ground, he gave human beings an upturned aspect, commanding them to look towards the skies, and, upright, raise their face to the stars."

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