Read more about the article Sheldon Wolin The Presence of the Past
Keith Haring Unfinished Painting

Sheldon Wolin The Presence of the Past

These writings are intended as a contribution to a renewed democratic discourse, one that can be disentagled from the disillusions bred by recent neoconservative rhetoric and the cheap flattery of cynical demagogues of right-wing populism. That discourse must confront the meaning of the state and of its cohabitation with corporate power. Facing up to the state means recognizing that the dominant forms of power in the society, both public and private, are inherently antidemocratic in their structure and objectives and that if democracy is to be practiced and extended, teh conditions of politics will have to be transformed. (1989)

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Read more about the article Wm Connolly Political Theory and Modernity
Lois Jones Les Fétiches

Wm Connolly Political Theory and Modernity

...it would turn the genealogist of resentment on his head by exploring democratic politics as a medium through which to expose resentment and to encourage the struggle against it. And it would turn periodically to thinkers such as Hobbes, Rousseau, Hegel and Marx...;to locate the myriad ways and means by which the twin drives to mastery and realization have lodged themselves inside modern formations; and to listen to subdued sounds of strife and resistance emanating from these integrated systems of modern thought. p.175

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Read more about the article Ricoeur, Du texte a l’action  From Text to Action
Géricault, Théodore. The Raft of the Medusa. 1818–1819. Oil on canvas, 491 cm × 716 cm. Musée du Louvre, Paris.

Ricoeur, Du texte a l’action From Text to Action

On the featured image Géricault, Théodore. The Raft of the Medusa. 1818–1819. Oil on canvas, 491 cm × 716 cm. Musée du Louvre, Paris.Museum Collection: Musée du Louvre, Paris - Department…

Continue ReadingRicoeur, Du texte a l’action From Text to Action
Read more about the article Ricoeur Temps et recit  Time and Narrative volumes 1-3
Champaigne, Philippe de. Portrait of Jean Duvergier de Hauranne, Abbé de Saint-Cyran. c. 1647–1648. Oil on canvas, 84 cm × 66 cm. Musée National des Châteaux de Versailles et de Trianon, Versailles.

Ricoeur Temps et recit Time and Narrative volumes 1-3

Conversely, a story only holds genuine meaning for us because it mirrors the actual structure of our lived experience. Every narrative relies on temporal coordinates—beginnings, crises, endings, and the weight of waiting—which directly correspond to our mortal condition.

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