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"In handicrafts and manufacture, the workman makes use of a tool, in the factory, the machine makes use of him. There the movements of the instrument of labour proceed from him, here it is the movements of the machine that he must follow. In manufacture the workmen are parts of a living mechanism. In the factory we have a lifeless mechanism independent of the workman, who becomes its mere living appendage."

"The individual and isolated hunter and fisherman, with whom Smith and Ricardo begin, belongs among the unimaginative conceits of the eighteenth-century Robinsonades, which in no way express merely a reaction against over-sophistication and a return to a misunderstood natural life, as cultural historians imagine. It is no more based on such a naturalism than is Rousseau’s contrat social, which brings naturally independent, autonomous subjects into relation and connection by means of a contract. This is the semblance and only the aesthetic semblance of the Robinsonades, great and small."

...I went straight to my business. The world, I said, seemed to be in the dark about the International, hating it very much, but not able to say clearly what thing it hated. Some, who professed to have peered further into the gloom than their neighbors, declared that they had made out a sort of Janus figure with a fair, honest workman's smile on one of the faces, and on the other a murderous conspirator's scowl. Would he light up the case of mystery in which the theory dwelt?

A century earlier, in the same way but at a different stage of development, Cromwell and the English people had borrowed for their bourgeois revolution the language, passions and illusions of the Old Testament. When the actual goal had been reached, when the bourgeois transformation of English society had been accomplished, Locke drove out Habakkuk. In these revolutions, then, the resurrection of the dead served to exalt the new struggles, rather than to parody the old, to exaggerate the given task in the imagination, rather than to flee from solving it in reality, and to recover the spirit of the revolution, rather than to set its ghost walking again.

The history of all hitherto existing society is the history of class struggles

The basis of representation, its essence, turns out to be 'something wholly superfluous, etc.' for representation. With one and the same breath Hegel puts forward absolutely contradictory statements: representation is grounded on trust, on the confidence placed by one man in another, and, at the same time, it is not grounded on trust. It is rather a merely formal game. The object of representation is not the particular interest but man and his citizenship of the state, the universal interest. On the other hand, the particular interest is the material of representation and the spirit of this interest is the spirit of the representative. p.197